Less is More: A Review of Loh Kok Man’s Double Punctum
More than ten years later, Loh Kok Man’s Double Punctum is restaged for 2024, but has it held up to the test of time?
electrifying art. enabling activism.
electrifying art. enabling activism.
Learn more about what we do.
More than ten years later, Loh Kok Man’s Double Punctum is restaged for 2024, but has it held up to the test of time?
Ten years after its original debut, Loh Kok Man’s award-winning dance production, Double Punctum returns to KL
The day finally arrived—it was time to fly. But, as with most big adventures, it wasn’t without its hurdles. From a delayed flight to almost losing my phone at airport security, and enduring menstrual cramps on a six-hour flight, the journey was a test of patience. We took a late-night flight from KLIA via Batik…
Loh Kok Man’s The Bee has transcended language and culture to examine the darkest of humanity and how violence begets violence.
@TBA
Vernon at Tan Zi Hao’s The Tongue Has No Bones (A+ WORKS of ART, Jul 2024)
Elaine in Kam Raslan’s booktalk as moderator (Sunda Shelves, Aug 2024)
Vernon at Pesta Filem Kota Bahru 2024 (Kota Bahru, Sep 2024)
Vernon at Kam Raslan’s booktalk (Sunda Shelves, Aug 2024)
Weiyan at Pesta Filem Kota Bahru 2024 (Kota Bahru, Sep 2024)
Elaine moderating Kam Raslan’s booktalk (Sunda Shelves, Aug 2024)
Artsee Networks started pre-2000 as Artseefartsee.com, the very first Malaysian arts and culture website in the era of the dial-up modem, JARING.MY and the Netscape browser. It popularised email and web-marketing for greater Kuala Lumpur’s nascent arts industry that had limited funds to put behind artistic and creative efforts. There’s a whole story behind how this accidentally happened but we’ll leave it for another webpage. As others attempted to follow its lead, founder, Vernon Adrian Emuang, never a fighter, always a lover, quickly reconfigured the brand to shift-shape into something more useful and necessary for the arts and culture scene, helping it evolve in new ways. Some of the trailblazing legacies in the wake of Vernon’s #artsfluffing shenanigans include:
1. Pioneer funding and critical enabling for the indie filmmaking (#artsfluffing for Amir Muhammad, James Lee and Yasmin Ahmad);
2. Spotlighting cross-cultural artmaking and its champion enablers and producers, off-stage and behind the scenes (#artsfluffing for Ken Takiguchi (2002), Beth Cardosa (2003), Janet Pillai (2004), Angela Hijjas (2005), Dr Joseph Victor Gonzales (2006), and Pang Khee Teik (2007) through the creation and sponsorship of the ARTSEEFARTSEE Cross-Cultural Champion of the Arts Award at the yearly BOH CAMERONIAN Arts Awards;
3. Executive producing for groundbreaking multidisciplinary art projects such as the pop-up exhibition WHAT DO YOU SEE? at the National Art Gallery, Rohaizad Suadi’s award-winning OPS OPHELIA: A FASHION OPERA; and Hayati Mokhtar & Dain Said‘s panoramic video installation at the Sydney Biennale 2006. (more coming)
Founder of Artsee Network