Author: Charissa Lee

T.H.E. Dance Company restages their 2018 work with impressive technical execution, but its commentary on identity remains questionable.

Lee Swee Keong masterfully directs this avant-garde Japanese dance-theater performance, evoking a reminder of the transformative power of art

More than ten years later, Loh Kok Man’s Double Punctum is restaged for 2024, but has it held up to the test of time?

Ten years after its original debut, Loh Kok Man’s award-winning dance production, Double Punctum returns to KL